Soraya Sikander

Amongst South Asia’s Contemporary Artists, Soraya Sikander, is one of today’s leading contemporary painters known for inventing the ‘Calligraphy Landscape’. Internationally recognised for her pioneering style, the artist has exhibited at galleries and museums in China, Singapore, Netherlands, UK, UAE, Pakistan and more. Trained from London Atelier of Representational Arts & University College London’s Slade Summer School, the artist is one of the few to have the distinction of being both, critically acclaimed, as well as a commercial success. Her recent exhibition includes the 8th International Beijing Biennale. Dubbed ‘Artist to Collect’. Soraya Sikander’s tonal landscapes are an interpretation of places seen from the mind’s eye.
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Ayesha Durrani

Ayesha Durrani is a modern miniaturist. She graduated in 2003 from the National College of Arts with a BFA. Ayesha has held several international exhibitions including at Unicorn Space Dubai, Unicorn Gallery Lahore, Aicon Gallery New York and Gallery 27 Cork Street, London, Dubai, New Delhi etc. Ayesha Durrani draws out feminist topics through her work exploring themes of female bondage and arranged marriages in Pakistani culture.

Ismail Gulgee

Gulgee (born 1926 died 2007) was an award winning master artist famous for his abstract action and calligraphy paintings. Gulgee was a trained Engineer by Profession and a self-taught artist; he received acclaim for his realistic portraits and commissions most notably those of the Royal Family and Prince Aga Khan. Ismail Gulgee was the recipient […]

M F Husain

M F Husain is India’s most celebrated and internationally renowned painter of all times. Maqbool Fida Husain (born 1915 died 2011) was known as the Picasso of India. A self-taught artist, Husain was a prolific painter known for his various series including: Gaja Gamini, British Raj, depiction of Hindus gods & goddesses, Mother Teresa, Indian […]

Shahid Jalal

SHAHID JALAL (Born 1948) is one of the outstanding members of the Association who has no art qualification from any institution and has therefore not been mentioned in their context. He has developed a style of his own which is executed with thick impasto brush strokes, the surface being further divided to form a subtle […]